This, to me, is the movie of the year. Certainly it’s the best animated movie — sorry, Zootopia fans — and possibly the best movie over all. Kubo has a terrific story, great imagination and a respectful depiction of Japanese folklore. It was made by Laika, the studio that specializes in a distinctive animation/stop motion hybrid. Previous films from Laika include Neil Gaiman’s Coraline and ParaNorman.
The lead character is Kubo, a one-eyed young boy who struggles to care for his mother, who is very ill. In the daytime, Sariatu exists in a daze, while at night she is cheerful and loving. Kubo gets money by telling stories in the markeplace, using an instrument called the shamisen to bring his origami figures to magical life. The stories he tell involve a powerful samurai, Hanzo, who dared gather enchanted weapons and armor that would allow him to take on the terrible Moon King. Kubo doesn’t tell the villagers that Hanzo, in fact, was his own father.
Sariatu makes Kubo promise that he will never venture outside at night, because the Moon King is still hunting him. He’s the one who stole Kubo’s eye, and he wants the second one, too. Of course, it wouldn’t be much of a story if Kubo kept his promise. Grieving for his lost father, he attends a lamp-lighting ceremony that is interrupted by his vicious aunts, Sariatu’s sisters. Sariatu appears, sacrificing her own life so that Kubo can escape.
I can’t say much more without spoiling things. There are chases, races, funny moments and amazing battles. There’s also an awesome dragon, very like the Asian-style dragon kite I mentioned in a post last year. Raiden, the Moon King, assumes this form for the final confrontation. It’s a dragon like you’ve never seen before.
If you’ve heard that Kubo and the Two Strings is a great movie, you’ve heard right. Beg, borrow or rent this movie. You won’t regret it.