Speaking Up

At the start of my thread on journeys, I mentioned my publisher has had a manuscript for several years without letting me know a publication date. Actually, she hasn’t even let me know she’s accepted the manuscript. I’m sure you all know the feeling. Waiting for news, wondering if the story is so bad they don’t even want it.

It could be a woman thing. We’re told so often to just sit and be quiet and wait. Even though I tell myself I’m bold, still, I’ve been waiting two years for a publisher to notice me. Really, I think it’s an author thing. The publishers have all the power, and if we get push, they’ll just cancel the deal.

But recently, the same publisher, who is also an author, announced publication of a new series with a different imprint. This finally spurred me to ask her if the original imprint is now defunct, and if I needed to get my manuscript back.

For once, she answered immediately. No, the publisher is not defunct. And the day after that, the last editor I worked with let me know the publisher had contacted him about editing the new book, since he edited The Seven Exalted Orders.

So maybe, finally, I might be able to tell you that Trials of the Eighth Order is coming out soon. I am definitely glad that I spoke up.

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Journeys

Something I’ve noticed recently is how often the stories I write involve someone going on a journey. In Too Many Princes, the title characters went on a quest. In The Seven Exalted Orders, two of the characters were running away from the others. In the sequel, The Eighth Order, which the publisher has been sitting on forever, they also chase someone across the countryside. In The Grimhold Wolf, a character was abducted and the other ones went to rescue him. In Masters of Air & Fire, the characters’ home was destroyed and they had to search for another one. In The Weight of Their Souls, the characters were traveling home after a war. In The Tower in the Mist, soldiers are taking their prisoner to a special prison — on the other side of a haunted forest. In The Grove of Ghosts, the MC is traveling to break a curse.

Only in The Magister’s Mask, The Necromancer’s Bones, and The Gellboar did everyone basically stay at home and do stuff there. That’s three out of eleven tales involving some sort of travel.

I must confess, I feel like I’m starting to repeat myself with the journeys. My current WIP, Fang Marsh, starts with the main character on a journey. Now that I’ve thought about it, I’m going to have her arrive at a destination and stay there. This will make some other parts of the plot easier. For one thing, the villain and her henchmen will be able to find her!

What do you guys think — am I worrying too much about this?

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The Genre Puzzle

As I work through refocusing my outreach, one puzzle is how to describe my books when people ask about genre. I try to push myself beyond easy categories and stereotypes, but here’s where it bites me in the butt.

Starting with the broadest definition, I write fantasy. That’s a no-brainer. My books are full of magic and magical creatures. From there is where it gets foggy.

There’s High Fantasy, which involves the great and powerful with their big wars and political intrigues. But there’s also Low Fantasy, which involves the small and powerless, and is often humorous in nature. In Swords and Sorcery, individual warriors struggle against malign magic and corrupt empires, while they themselves are no angels.

Then there’s Urban Fantasy, where mythical creatures/monsters interact with people in the modern world. There’s often a strong element of romantic tension. Last but not least, there are Fairy Tales. People are always re-imagining beloved fairy tales.

So where do my books fit in? I’ve written somethings in almost all of these sub-genres. Aunt Ursula’s Atlas, for example, is contains several stories in the fairy-tale style. The Gellboar is a form of Urban Fantasy. The Weight of Their Souls is Swords and Sorcery. But most of my books are much harder to pin down.

Take The Seven Exalted Orders, for example. It’s High Fantasy because it ponders political and philosophical questions like who decides how mages use their power. It’s not High Fantasy because the protagonists aren’t among the ruling elite. This would make The Seven Exalted Orders a Low Fantasy, except that it lacks broad humor. Calling my books Medium Fantasy just sounds boring.

For those of you out there who have read my books, I’d love your perspective on this question. What should I call my genre in order to attract readers who are likely to enjoy my work? High Fantasy, Low Fantasy, something else… And I’d love to hear your reasoning.

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