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I’m late posting today because I was at an amazing literary conference held by the Inland Northwest chapter of SCBWI. But I did see this amazing dragon image in the portfolio display. This dragon was one of several illuminated beasts in a series. Thanks so much to the artist, Hannah Charlton, for allowing me to share it here.

Hannah_Charlton_Dragon

“Dragon,” by Hannah Charlton, 2017, used with permission.

The gold ink Hannah used is really spectacular and gives her work a special appeal.

 


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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I don’t often reblog, but Nicola Rossi posted this on her excellent Thoughts on Fantasy. I can’t say it better than she did, so check out her recommended dragon books! Tough Travels: Dragons


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

 

 

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This is a passage from my first published novel, The Magister’s Mask, released by Dragon Moon Press in 2004. It’s the tale of a young sorceress, Shenza, who has been trained to use her magic in solving crimes. Among the unique creations in this novel is a sea serpent, Taisaris, which is sent by vengeful nature spirits to punish some foolish humans.

The Magister’s Mask is currently available in trade paperback or e-book. Enjoy!


Amid a geyser of spray, something huge broke the surface of the sea just beyond the breakwater. Thin shrieks came from the town behind them.

Here was another legend become real. It was shaped like an eel, narrow and long, with a many-fanged maw topping a powerful corded neck. Elegant, spiny fins threw plumes of spray in a hundred directions. Its hide was of a color with the sea itself, a green so deep it looked black in the gloom. When lightning flashed again, phosphorescent stripes blazed along its sides.

“That’s a…” Juss choked.

“Taisaris,” she (Shenza) finished for him.

It was said the Eleshouri created the sea serpents to control the currents and tides. But their monstrous forms housed a temper that could swallow up entire islands, and so they were banished to the utmost depths. Only sometimes they crept out to overturn ships and drag the hapless sailors below. Or they might be summoned by their masters, to punish some transgression.

The beast roared at the height of its arc, a bellow like the howl of cyclonic winds. Shenza stepped back and bumped into Juss. He steadied her, but did not speak.

Taisaris turned in the air with lumbering slowness. then collapsed back into the sea. Its fall raised a wall of spray that obscured the horizon. And then, what she had feared came to pass: over the breakwater, a long hump of water rolled swiftly toward Chalsett-port.

Shenza needed no more urging from Juss. She snatched up her travel case and they ran toward the safety of the terrace. Under their feet the boards of the pier trembled with vibrations that grew ever stronger and closer.

In front of them, dark-skinned backs of seamen and peace officers together dashed up the stairs. For Shenza and Juss there was no time left. The crack of splintering wood mingled with a greedy roar as the wave struck the lowest level of the town. Juss threw his arm around Shenza’s shoulders, flattening her against the vertical face of the tier above. A hard wash of cold bring pressed them against the stonework with bruising force. It came to her shoulders, nearly lifting her from her feet. A moment later the flow reversed. She could feel the suction dragging at them. For a terrifying moment her sandals slipped, but Juss’ strong arms helped her keep her footing. Then the pressure lifted and the wave fell back with a cheated sloosh. Sea-foam hissed malevolently as the waters drained back over the edge of the quay.


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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After the long-ago dragon of Ogden Nash’s Custard, here is a more contemporary dragon story. Dragon Was Terrible is a picture book, written by Kelly DiPucchio and illustrated by Greg Pizzoli. It was published in 2016.

The title character, Dragon, is terrible in the sense of playing naughty tricks. He annoys people in his Medieval village by making inappropriate noises, TPing the castle, and so on. Everyone tries to bring him in line, and everyone fails. That is, until a clever young boy devises a gentle solution.

This book is simple and fun, perfect for kids around Kindergarten. Many of Dragon’s pranks are similar to what a child would encounter when they start school and have to cope with the new rules and people from outside their own family. If you have kids or grandkids in that age group, they’re sure to enjoy Dragon Was Terrible.


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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Custard is the unlikely hero of a comic children’s poem by Ogden Nash. “The Tale of Custard the Dragon” was first published in 1936 but retains its appeal after 81 years. Indeed, in some ways it was ahead of its time. Whenever you hear someone say there were no girl heroes in 20th Century literature, you can remind them of Belinda, who was “brave as a barrel full of bears.”

The setup is that Belinda has several pets — kitten, mouse, dog — who are all brave and bold, while her “realio, trulio, little pet dragon” just wants a nice quiet cage. They all tease poor Custard — until the day a pirate shows up. Then they learn who’s really the bravest of all.

What the heck, you can read the poem here! It’s more fun than a barrel full of bears.


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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Word has come that Haruo Nakajima has passed away. Nakajima was the Japanese actor who originated the seminal role of Godzilla (1954). Clad in the trademarked gray rubber suit — the initial films were in black and white — he stormed across the countryside and laid waste to cities in a dozen Godzilla movies.

Nakajima worked hard in his role. To develop Godzilla’s distinctive walk, he studied the movement of animals such as bears and elephants. Just to wear the suit was physically demanding. Some versions weighed over 100 pounds!

Although Godzilla was Nakajima’s best known creation, he also wore a different rubber suit to play the part of King Kong in 1967. His career, which lasted until 1973, included some 50 films, often war movies and samurai dramas. As he later joked, “I was the guy who got killed.”

For all the technical limitations and hokey plots, Godzilla remains one of the world’s most beloved film franchises. Not a bad legacy for a guy whose face was never seen on camera.


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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Dragons are famous for having vast hoards of treasure, but sometimes I wonder why. If knights are always trying to kill you and take your treasure, why would you even bother with that? Surely a dragon could have a quieter, more secure life without a hoard.

Based on legends and contemporary fiction, here are some reasons that dragons keep hoards.

  1. Pure greed. Some dragons, such as Fafnir, are created in a contest to claim an accursed treasure.
  2. Pride. Dragons often seem to relish the high status of owning a huge treasure. Smaug, in The Hobbit, would represent these dragons.
  3. Nutrition. In some books, dragon parents collect coins and other metal pieces, and feed them to their young. The minerals help baby dragons grow their near-invulnerable scales. E. E. Knight’s Age of Fire series is a good example.
  4. Preservation. Dragons who gather tomes and manuscripts might be dedicated to saving knowledge of the ancient past. They may also find that having a hobby helps them they stay alert and active over the decades.
  5. Obsession. In a few books, such as Jessica Day George’s Dragon Slippers, all dragons are born with an irresistible urge to collect. They don’t all gather the same things, though. In George’s book, the main dragon character has an enormous collection of shoes.
  6. Remembrance. A long-lived dragon might save mementos from lost civilizations or friends in their past. More aggressive dragons could keep trophies from their victories against various enemies.
  7. Hunting Lure. In my short story, Hoard, a dragon named Carnisha keeps a hoard in order to attract looters. She then feeds them to her babies.

I’m sure there are more reasons. Why do you think dragons gather hoards?


A few of my other books:

Aunt Ursula’s Atlas, Lucy D. Ford’s short story collection and Masters of Air & Fire, her middle-grade novel.

The Grimhold Wolf, my Gothic werewolf fantasy, and my epic fantasy, The Seven Exalted Orders.

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